ADAR
CONTACT

SEEKING

Rhythm Guitar, Lead Guitar, Acoustic Guitar, Bass Guitar, Drums, Other Percussion, Violin, Trumpet, Saxophone, Keyboard, Piano, Background Singer, Harmonica, Flute, Other, Banjo, Mandolin, Fiddle, Trombone, Steel guitar, Upright bass, Electronic Music, Harp, Didgeridoo.

ABOUT

A.D.A.R. - “Ballad of a Changeling” out 11 Feb. 2022.

#alldreamsarereal

Looking for musicians to collaborate, perform my songs live, and maybe write something new.

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Born Roibhilin Adar Huijbregts. Having left LA-LA-Land for The Land Down Under, A.D.A.R. is a Melbourne based singer, multi-instrumentalist, songwriter, and producer.

A true lover of music exploration, A.D.A.R.’s inspirations draws deep from all reaches of the globe, sharing hints of where his ears have taken him with those curious to also explore. Presented in a way of mixing a bit of the world, the experimental, and the avant-garde with a bit of pop, rock, electronic, folk, and soul sensibilities, A.D.A.R. strives to build bridges and human connection through music.

Screen name:
ADAR
Member since:
Oct 31 2019
Active over 1 month ago
Level of commitment:
Very Committed
Years playing music:
15
Tend to practice:
More than 3 times per week
Available to gig:
2-3 nights a week
Most available:
Nights

Influences

I come from a rock/ alternative/ post-punk/ and hip-hop background growing up. Lately I’ve been Into mellow and soulful artists such as Sam Cooke, Jimmy Smith, Nelson Riddle, Billy Holiday, Duke Ellington, Sinatra, Beverly Kenny, Nat King Cole, Marvin Gaye, Gordon Jenkins and many more late night tunes.

That said, I really bounce between variations of most genres. I can be enjoying Leonard Cohen or Donovan, then move onto German Krautrock like Ashra or Agitation Free, then into Curtis Mayfield or Ohio Players, that might be followed by Nine Inch Nails or Fields of The Nephilim, after maybe head to Africa and listen to Blick Bassy, Tinariwen or Bombino, then detour to Latin America and enjoy Natalia Lafourcade, Gustavo Cerati, or Bomba Estéreo, I might jump to Japan after and enjoy some Happy End, Cornelius or Yellow Magic Orchestra. Throw a stone to India and put on Ali Akbar Khan, Ravi Shankar or something more contemporary like Parekh & Singh, after might feel like hearing some Mississippi John Hurt or Muddy Waters...

...I can continue but if you’ve read this far I think you get the point. I find sticking to one (or few) genre of influence is like eating only one style of food... it might be great, but why limit yourself? There’s plenty to appreciate and be inspired by in every genre, and a ton of crap to sift through as well, but that’s half the fun digging for that next voice or sound that captivates you.

Instrument experience:

Vocalist:
Advanced
Rhythm Guitar:
Advanced
Acoustic Guitar:
Advanced
Bass Guitar:
Advanced
Background Singer:
Advanced
Lead Guitar:
Moderate
Keyboard:
Moderate
Other:
Moderate
Upright bass:
Moderate
Electronic Music:
Moderate

EQUIPMENT

Airline 3P Deluxe, Kimberly Bison, Taylor Steel String, Mexican Nylon/Classical, Behringer 2600 Synth, Washburn Vulture Bass, Line 6 Helix LT, Roland JC 120, Akai MPK 249, Koto, Banjo, various pedals and minor instruments.

Home studio with acoustic treatment. Outboard mic pre’s, compression, EQ, and effects into Clarett interface run by Logic X. Assorted microphones

MUSIC